AJA Ki PRO rack Spezifikationen Seite 88

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The Settings area is where the Ki Pro clip name for each unit is decided. By default, the
Ki Pro is configured to use the standard clip naming conventions, not the custom clip
naming conventions. The first user selection is "Use Custom Clip Name"; if the user
wants to use the standard clip naming convention, leave this set to "OFF", but if the
user wants to create a custom clip name, mouse click on the "OFF" to reveal a
pulldown for "OFF/ON" selection, then click "OK".
If "OFF" was selected, the next parameter would be "Clip Name", again, clicking on the
"SC" or "Clip" presented brings up the pulldown and the "OK" box. "Clip Number"
must be entered manually with a valid value for Ki Pro of 1 through 999 and then the
enter/return key must be hit. NOTE: If the enter/return key is not entered after the
selection, the value will revert to whatever was previously shown. Clicking on the
value next to "Clip Append" and "Alpha Append" both bring up a pulldown and an
"OK" button. "Take" operates like the "Clip Number", where a valid value of 1 to 999
can be entered and then the enter/return key needs to be pressed for confirmation of
the value. For custom clip naming considerations, review the section in this manual
on "Custom Clip Naming."
Note that for Slave Ki Pro units, the Settings column provides a selection of either Use:
"Master Name" or "Slave Name." Clicking on the default value of "Master Name" offers
a pulldown selection of "Master Name" or "Slave Name" with an "OK" confirmation
button. If the desire is to have clips named the same across all Ki Pro units'
recordings, then the Use: "Master Name" selection should be made. If the desire is to
have clips named independently on Ki Pro units, then "Slave Name" should be
selected. Selecting "Slave Name" means that the recording will take it's name from
the individual Ki Pro's parameters and not accept the value pushed to the Slave by
the Master Ki Pro.
It is important to note that as of firmware 2.0, Ki Pro can initiate recordings among
units quickly, but not all units will begin or end recordings precisely at the same time
or the same frame. This is not really an issue if matching timecode via SDI embedded
RP-188 or LTC is sent to each unit from a timecode generator via discrete outputs on
the timecode generator or via a distribution amplifier for the timecode. Note that
many non-linear edit systems, like Final Cut Pro, can sync clips based on timecode
values for multi-clip editorial. Also note that Ki Pro does not provide simultaneous
playback of media; only record start and stop functions are available.
Note: Ki Pro Slave units in a gang do not respond if the Master Ki Pro is being
operated under RS-422 device control. This avoids the potential for a Ki Pro
Master left in a gang to accidentally arm other units outside of the defined
parameters of control via the web UI or front panel buttons.
Gang Recording Summary
1. In the browser menus, select Transport to Navigate to the Transport screen.
2. Click Show Gang View on the Transport screen to see the Gang controls. This
view shows available Ki Pro systems.
3. To gang systems together, click the checkbox in the Gang column for each
system you want included.
4. Select control of clip naming in the Settings column for each system, either
Slave Name or Master Name. For details, see the previous discussion.
5. Select one master system in the Master column to control the gang.
6. For the master system, set the clip naming in the Settings column.
7. Use the master system to control record start and stop and clip naming.
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