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Ki Pro Rack Installation and Operation Manual — CONFIG menus
1.1 RECORD TYPE
This parameter defines the frame recording method of media stored. RECORD TYPE can
be configured to record the incoming video signal in a “NORMAL” manner, “PsF” signal
if the incoming source is 1080psf 29.97 (for example), or variable frame rate (VFR).
Note: A 23.98Hz source is automatically treated as PsF, regardless of this setting. For 29.97 Hz or
25 Hz, “NORMAL” means encode as interlaced and “PSF” means encode as progressive. This
only applies to 1080 formats. The following details clarify each case:
•
1080PsF 23.98 incoming video > Normal selected > 1080p 23.98 recorded to disk.
•
1080i 25 incoming video > PsF selected > 1080p 25 recorded to disk.
•
1080i 29.97 incoming video > PsF selected > 1080p 29.97 recorded to disk.
•
1080PsF signal is recorded to disk as progressive; progressive material on disk may be
played back as PsF or progressive on the video outputs; this selection can be made in
parameter 1.3 1080p Playback.
VFR (Variable Frame Rate) recording makes use of meta data embedded in the RP188
data stream on the SD-SDI/HD-SDI input, allowing for the frame rate to change actively.
Examples of cameras offering variable frame rate include Panasonic AJ-HDC27 and
several cameras from the Panasonic HPX line.
Beginning with Ki Pro version 3.0 firmware, select cameras that output 1080p within a
1080i signal are also supported by the VFR selection. For the Canon XH-G1s, 1080p
23.98 may be extracted from the 1080i 29.97 signal when VFR is selected. For the
Canon EOS C300, 1080p 23.98 may be extracted from the 1080i 29.97 signal and 1080p
24 may be extracted from the 1080i 30 signal. For the Canon EOS C300 formats of
1080p 25 and 1080p 29.97, set the Record Type to PsF to produce progressive frame
recordings.
Note: 720p VFR rates of 23.98, 25 and 29.97fps and 1080p VFR support are not provided when
using the DNxHD encoding mode. VFR support for DNxHD will be added with a future
firmware update.
1.3 1080p PLAYBACK
This parameter defines the format applied when 1080p media is played back from
storage.
Note: HDMI output of progressive material requires the use of 1080p Playback set to
Progressive; HDMI only tends to support true progressive or interlace video, not PsF.
1.1 RECORD TYPE NORMAL (default)
PsF
VFR
Record standard format as input
Record progressive segmented frame
Record variable frame rate
1.3 1080p P
layback
PsF (default)
Progressive
Playback as 1080 progessive segmented frame
(regardless of what was recorded when input)
Playback as standard 1080p progressive frame
- Installation and Operation 1
- Trademarks 2
- Contacting Support 2
- Limited Warranty 2
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 11
- Features 12
- What’s In The Box? 13
- System Requirements 14
- Apple ProRes 422 Advantages 14
- In This Manual 15
- Avid DNxHD Advantages 15
- Overview 17
- Operator Side 18
- Displays and Indicators 21
- Other Front Panel Features 21
- Connector Side 22
- RS-422 Connector 23
- SDI Inputs and Outputs 23
- Component YPbPr 23
- Composite NTSC/PAL Output 24
- Ref Loop 24
- LTC Timecode Input And Output 24
- Removable Storage 26
- Modules (HDD or 26
- Formatting Media 26
- Using Ki Pro Media 27
- Using Ki Pro Rack 27
- Media with Avid 27
- Media Composer 27
- Installation 28
- Applying Power 29
- Using AC Power 29
- Remote Network Control 30
- Network 31
- Connections 31
- TCP/IP Information 31
- You’ll Need 31
- Networking via 32
- Networking Ki Pro 33
- TRANSPORT Mode (default) 37
- Recording Notes 38
- Playing Back a Clip 39
- Deleting Clips 39
- STATUS menus 40
- MEDIA menus 43
- 14.0 ENCODE MODE 44
- 14.1 ENCODE TYPE 44
- 15.1 PLAY MEDIA 44
- 15.2 LOOP PLAY 44
- 15.3 PLAYLIST 45
- 16.1 FORMAT MEDIA 45
- 16.2 DELETE CLIPS 45
- 17.0 REEL NAME 45
- 17.2 CLIP NAME 45
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 47
- 17.4 CLIP APPEND 47
- 17.5 ALPHA APPEND 47
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.4 CUSTOM TAKE 49
- 22.1 GANG CLIP NAME 49
- CONFIG menus 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.6 SDI 2 OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 53
- 1.9 SUPER OUT 53
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 54
- 2.3 AUDIO CHANNELS 54
- 3.1 COMPONENT IN LVL 55
- 3.2 COMPONENT OUT LVL 55
- 3.4 NTSC CONFIG 55
- 4.1 ANALOG AUDIO 55
- 5.1 UPCONVERSION 56
- 5.2 DOWNCONVERSION 57
- 6.1 GENLOCK 57
- 8.0 TC IN 58
- 8.1 TC VALUE 58
- 8.2 TC TYPE 58
- 8.3 ARM RECORDING 58
- 13.1 CAMERA DATA 59
- 32.0 Loss of Video 61
- 35.2 REMOTE CONTROL 61
- 41.1 VIDEO SG FRMT 63
- 41.2 VIDEO SG 63
- 41.3 AUDIO SG 63
- 50.1 IP CONFIG 64
- 50.2 IP ADDRESS 64
- 50.3 SUBNET MASK 65
- 50.4 STATIC GATEWAY 65
- 50.5 SYSTEM NAME 65
- 50.6 MAC ADDRESS 66
- 55.4 DATE SET 66
- 55.6 TIME SET 66
- 70.1 SCREEN SAVER 67
- 70.2 DISPLAY INTENSITY 67
- 70.3 FAN SPEED 67
- 80.1 SERIAL NUMBER 67
- 80.2 SW VERSION 67
- 91.1 RECALL PRESET 68
- 92.1 STORE PRESET 68
- 99.0 FACTORY RESET 68
- Browser Remote Control 69
- General Screen 70
- Information 70
- Config Screen 71
- Media Screen 74
- Transport Screen 76
- Presets Screen 78
- Network Screen 80
- Playlists Screen 82
- Alarms Screen 83
- Update Firmware 84
- Preparing to Update Software 84
- Advanced Features 86
- How to Use Gang Recording 87
- Gang Recording Summary 88
- Using Playlists 89
- Creating a Playlist 90
- Playback of a Playlist 91
- Using Presets 92
- Storing a Preset 92
- Recalling Presets 93
- Appendix A: Specifications 95
- Physical 97
- Temp erature 97
- Appendix B: 99
- Safety & Compliance 99
- Regulatory Compliance 100
- Taiwan Compliance Statement 101
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