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To avoid confusion, the various CONFIG or MEDIA menu parameters do not change;
the changes only affect the file written to the media. Furthermore, if a piece of
metadata is missing, such as Reel Name, the Ki Pro will write all other parameters and
use the standard setting for a value for which no ancillary metadata was found. This
means in some cases that a file could have a clip name associated to the camera
recording, but the reel number associated with the clip created by the camera and
the Ki Pro could differ.
To make the integration with cameras as straightforward as possible, only one
selection, 13.1 Camera Data, in the CONFIG menu parameters needs to be set as
opposed to settings throughout various menu parameters in CONFIG and MEDIA
menu parameters.
Important Notes About The Various Cameras Supported by 13.1
RED Epic: With the RED Epic, AJA recommends sending the camera an appropriate genlock/
reference signal so that the Ki Pro recordings will be timecode accurate when compared
to the RED Epic recordings. RED Epic firmware version 1.6.24 (or later) is required for
proper operation.
RED One 24: This setting is actually designed to extract the 23.98 frame per second from
within the RED One 720p 59.94 output. Note that "24" is used as opposed to 23.98 in
order to accommodate the user interface constraints. For the RED One, timecode should
be sent to the camera via a timecode generator in order to produce corresponding
timecode recordings on the Ki Pro; note that even with this configuration, the timecode
value produced has an accuracy of +/- 1 frame. RED One firmware version 31.6.16 (or
later) is required for proper operation.
RED One 25: For the RED One, timecode should be sent to the camera via a timecode
generator in order to produce corresponding timecode recordings on the Ki Pro; note
that even with this configuration, the timecode value produced has an accuracy of +/- 1
frame. RED One firmware version 31.6.16 (or later) is required for proper operation.
Canon XF: Because the Camera Data parameter requires the use of SDI, only the XF series
cameras that feature SDI outputs can be used with this feature. These cameras provide
ancillary data that produces start/stop commands and timecode values but not clip
naming.
Canon C300: These cameras provide ancillary data that produces start/stop commands and
timecode values but not clip naming. The Canon EOS C300 outputs 1080i by default, but
can produce true progressive video within this interlaced output. The extraction of 1080p
23.98 from within 1080i 29.97 and 1080p 24 from within 1080i 30 is automatic if the camera
is properly configured and the Camera Data selection is set to Canon C300; users do not
need to manually set the Record Type parameter separately. However, for 1080p 25 that is
output as 1080i 25 and 1080p 29.97 that is output as 1080i 29.97 from the camera, users
need to manually select "PsF" in the Record Type (1.1) menu parameter even if they have
selected the Canon C300 in the Camera Data parameter. This selection is required because
there is no ancillary data that indicates these frame rates within the SDI output of the
camera.
Important Note About Using DNxHD Encoding with 13.1 Camera Data
With version 4.0 firmware, Ki Pro systems do not provide support for VFR recordings
when the DNxHD encoding mode is used, so some of the functionality of the 13.1
Camera Data is not supported when DNxHD is selected. While camera start/stop and
timecode values may be produced when a Camera Data selection is made, frame
extraction from RED or Canon cameras is not supported. Users should consider using
ProRes encoding if the Camera Data capabilities are desired. Note that Apple ProRes
QuickTime files may be used with Avid Media Composer via AMA.
- Installation and Operation 1
- Trademarks 2
- Contacting Support 2
- Limited Warranty 2
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 11
- Features 12
- What’s In The Box? 13
- System Requirements 14
- Apple ProRes 422 Advantages 14
- In This Manual 15
- Avid DNxHD Advantages 15
- Overview 17
- Operator Side 18
- Displays and Indicators 21
- Other Front Panel Features 21
- Connector Side 22
- RS-422 Connector 23
- SDI Inputs and Outputs 23
- Component YPbPr 23
- Composite NTSC/PAL Output 24
- Ref Loop 24
- LTC Timecode Input And Output 24
- Removable Storage 26
- Modules (HDD or 26
- Formatting Media 26
- Using Ki Pro Media 27
- Using Ki Pro Rack 27
- Media with Avid 27
- Media Composer 27
- Installation 28
- Applying Power 29
- Using AC Power 29
- Remote Network Control 30
- Network 31
- Connections 31
- TCP/IP Information 31
- You’ll Need 31
- Networking via 32
- Networking Ki Pro 33
- TRANSPORT Mode (default) 37
- Recording Notes 38
- Playing Back a Clip 39
- Deleting Clips 39
- STATUS menus 40
- MEDIA menus 43
- 14.0 ENCODE MODE 44
- 14.1 ENCODE TYPE 44
- 15.1 PLAY MEDIA 44
- 15.2 LOOP PLAY 44
- 15.3 PLAYLIST 45
- 16.1 FORMAT MEDIA 45
- 16.2 DELETE CLIPS 45
- 17.0 REEL NAME 45
- 17.2 CLIP NAME 45
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 47
- 17.4 CLIP APPEND 47
- 17.5 ALPHA APPEND 47
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.4 CUSTOM TAKE 49
- 22.1 GANG CLIP NAME 49
- CONFIG menus 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.6 SDI 2 OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 53
- 1.9 SUPER OUT 53
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 54
- 2.3 AUDIO CHANNELS 54
- 3.1 COMPONENT IN LVL 55
- 3.2 COMPONENT OUT LVL 55
- 3.4 NTSC CONFIG 55
- 4.1 ANALOG AUDIO 55
- 5.1 UPCONVERSION 56
- 5.2 DOWNCONVERSION 57
- 6.1 GENLOCK 57
- 8.0 TC IN 58
- 8.1 TC VALUE 58
- 8.2 TC TYPE 58
- 8.3 ARM RECORDING 58
- 13.1 CAMERA DATA 59
- 32.0 Loss of Video 61
- 35.2 REMOTE CONTROL 61
- 41.1 VIDEO SG FRMT 63
- 41.2 VIDEO SG 63
- 41.3 AUDIO SG 63
- 50.1 IP CONFIG 64
- 50.2 IP ADDRESS 64
- 50.3 SUBNET MASK 65
- 50.4 STATIC GATEWAY 65
- 50.5 SYSTEM NAME 65
- 50.6 MAC ADDRESS 66
- 55.4 DATE SET 66
- 55.6 TIME SET 66
- 70.1 SCREEN SAVER 67
- 70.2 DISPLAY INTENSITY 67
- 70.3 FAN SPEED 67
- 80.1 SERIAL NUMBER 67
- 80.2 SW VERSION 67
- 91.1 RECALL PRESET 68
- 92.1 STORE PRESET 68
- 99.0 FACTORY RESET 68
- Browser Remote Control 69
- General Screen 70
- Information 70
- Config Screen 71
- Media Screen 74
- Transport Screen 76
- Presets Screen 78
- Network Screen 80
- Playlists Screen 82
- Alarms Screen 83
- Update Firmware 84
- Preparing to Update Software 84
- Advanced Features 86
- How to Use Gang Recording 87
- Gang Recording Summary 88
- Using Playlists 89
- Creating a Playlist 90
- Playback of a Playlist 91
- Using Presets 92
- Storing a Preset 92
- Recalling Presets 93
- Appendix A: Specifications 95
- Physical 97
- Temp erature 97
- Appendix B: 99
- Safety & Compliance 99
- Regulatory Compliance 100
- Taiwan Compliance Statement 101
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