AJA Ki PRO rack Spezifikationen Seite 72
- Seite / 113
- Inhaltsverzeichnis
- LESEZEICHEN
Bewertet. / 5. Basierend auf Kundenbewertungen
72
Component Output (1.7): This parameter defines whether the component video
output matches the file format or has the 1.5 OUT CONVERT selection applied
to it.
HDMI Output (1.8): This parameter defines whether the HDMI output matches the
file format or has the 1.5 OUT CONVERT selection applied to it.
Super Out (1.9): This parameter enables or disables superimposition of timecode
and transport state (Record, Pause, etc.) onto the SDI 2 output.
Video Input (2.1): This parameter selects a video input source from the video input
connections available. This is the video that will be recorded and/or passed
through.
Audio Input (2.2): This parameter selects an audio input source from the audio input
connections available. This is the audio that will be recorded and/or passed
through.
Audio Channels (2.3): This parameter selects use of either two or eight audio
channels via SDI embedded audio.
Component In Level (3.1): This parameter selects the input level for signals applied at
the component video input connectors.
Component Out Level (3.2): This parameter selects the output level for signals
applied at the component video output connectors.
NTSC Config (3.4): This parameter selects the output level for the composite video
output connector.
Analog Audio (4.1): This parameter configures the analog audio signal levels for
input and output. Professional audio equipment has much higher levels than
consumer equipment: a 0 VU reading corresponds to +4 dBu. Connecting a
professional +4 dBu device to a consumer audio input -10dBV (-7.8 dBu) may
cause overloading, whereas the output of a consumer device probably does
not have sufficient power to drive a professional audio input. With consumer
and semi-professional audio equipment, a VU reading of 0 dB is typically
referenced to -10 dBV. 0 dBu = 0.775 VRMS.
Upconversion (5.1): This parameter selects the type of upconversion from SD
performed, if set up to do so with parameters 1.4 through 1.8.
Downconversion (5.2): This parameter selects the type of downconversion from HD
performed, if set up to do so with parameters 1.4 through 1.8.
Genlock Source (6.1): This parameter selects the reference video source used for
genlocking during playback.
TC In (8.0): This parameter selects the source of timecode start from those available.
Available timecode sources: TC Value specified in parameter 8.1, an SDI RP188
input, an LTC input, or the time of day.
TC Value (8.1): This parameter selects a time for start of timecode when 8.0 is set to
TC Value.
TC Type (8.2): This parameter selects drop frame or non-drop frame timecode.
Arm Recording (8.3): This parameter selects how recording will begin: either by
pressing the Record button (or web “Record” button) or via timecode. If
starting on timecode, parameters 8.0, 8.1. and 8.2 must be set to qualify the
source and type of timecode. When timecode is selected, the Record button
also remains active and available to start recording.
- Installation and Operation 1
- Trademarks 2
- Contacting Support 2
- Limited Warranty 2
- Limitation of 3
- Liability 3
- Table of Contents 5
- Chapter 1: Introduction 11
- Features 12
- What’s In The Box? 13
- System Requirements 14
- Apple ProRes 422 Advantages 14
- In This Manual 15
- Avid DNxHD Advantages 15
- Overview 17
- Operator Side 18
- Displays and Indicators 21
- Other Front Panel Features 21
- Connector Side 22
- RS-422 Connector 23
- SDI Inputs and Outputs 23
- Component YPbPr 23
- Composite NTSC/PAL Output 24
- Ref Loop 24
- LTC Timecode Input And Output 24
- Removable Storage 26
- Modules (HDD or 26
- Formatting Media 26
- Using Ki Pro Media 27
- Using Ki Pro Rack 27
- Media with Avid 27
- Media Composer 27
- Installation 28
- Applying Power 29
- Using AC Power 29
- Remote Network Control 30
- Network 31
- Connections 31
- TCP/IP Information 31
- You’ll Need 31
- Networking via 32
- Networking Ki Pro 33
- TRANSPORT Mode (default) 37
- Recording Notes 38
- Playing Back a Clip 39
- Deleting Clips 39
- STATUS menus 40
- MEDIA menus 43
- 14.0 ENCODE MODE 44
- 14.1 ENCODE TYPE 44
- 15.1 PLAY MEDIA 44
- 15.2 LOOP PLAY 44
- 15.3 PLAYLIST 45
- 16.1 FORMAT MEDIA 45
- 16.2 DELETE CLIPS 45
- 17.0 REEL NAME 45
- 17.2 CLIP NAME 45
- Clip Naming—Two Examples 46
- 17.3 CLIP NUMBER 47
- 17.4 CLIP APPEND 47
- 17.5 ALPHA APPEND 47
- 17.8 TAKE 48
- Custom Clip 48
- 19.1 USE CUSTOM CLIP NAME 49
- 19.2 CUSTOM CLIP NAME 49
- 19.4 CUSTOM TAKE 49
- 22.1 GANG CLIP NAME 49
- CONFIG menus 50
- 1.1 RECORD TYPE 51
- 1.3 1080p PLAYBACK 51
- 1.4 IN CONVERT 52
- 1.5 OUT CONVERT 52
- 1.6 SDI OUT 52
- 1.6 SDI 2 OUT 52
- 1.7 COMPONENT OUT 52
- 1.8 HDMI OUT 53
- 1.9 SUPER OUT 53
- 2.1 VIDEO INPUT 53
- 2.2 AUDIO INPUT 54
- 2.3 AUDIO CHANNELS 54
- 3.1 COMPONENT IN LVL 55
- 3.2 COMPONENT OUT LVL 55
- 3.4 NTSC CONFIG 55
- 4.1 ANALOG AUDIO 55
- 5.1 UPCONVERSION 56
- 5.2 DOWNCONVERSION 57
- 6.1 GENLOCK 57
- 8.0 TC IN 58
- 8.1 TC VALUE 58
- 8.2 TC TYPE 58
- 8.3 ARM RECORDING 58
- 13.1 CAMERA DATA 59
- 32.0 Loss of Video 61
- 35.2 REMOTE CONTROL 61
- 41.1 VIDEO SG FRMT 63
- 41.2 VIDEO SG 63
- 41.3 AUDIO SG 63
- 50.1 IP CONFIG 64
- 50.2 IP ADDRESS 64
- 50.3 SUBNET MASK 65
- 50.4 STATIC GATEWAY 65
- 50.5 SYSTEM NAME 65
- 50.6 MAC ADDRESS 66
- 55.4 DATE SET 66
- 55.6 TIME SET 66
- 70.1 SCREEN SAVER 67
- 70.2 DISPLAY INTENSITY 67
- 70.3 FAN SPEED 67
- 80.1 SERIAL NUMBER 67
- 80.2 SW VERSION 67
- 91.1 RECALL PRESET 68
- 92.1 STORE PRESET 68
- 99.0 FACTORY RESET 68
- Browser Remote Control 69
- General Screen 70
- Information 70
- Config Screen 71
- Media Screen 74
- Transport Screen 76
- Presets Screen 78
- Network Screen 80
- Playlists Screen 82
- Alarms Screen 83
- Update Firmware 84
- Preparing to Update Software 84
- Advanced Features 86
- How to Use Gang Recording 87
- Gang Recording Summary 88
- Using Playlists 89
- Creating a Playlist 90
- Playback of a Playlist 91
- Using Presets 92
- Storing a Preset 92
- Recalling Presets 93
- Appendix A: Specifications 95
- Physical 97
- Temp erature 97
- Appendix B: 99
- Safety & Compliance 99
- Regulatory Compliance 100
- Taiwan Compliance Statement 101
Verwandte Produkte und Handbücher für Digitale Videorecorder (DVR) AJA Ki PRO rack
(6 Seiten)© 2020, manymanuals.de. Alle Rechte vorbehalten. | 0.228 s |
Manymanuals.com
Manymanuals.de
Manymanuals.fr
Manymanuals.it
Manymanuals.pl
Manymanuals.cz
Manymanuals.es
Manymanuals-pt.com
Kommentare zu diesen Handbüchern